In the film, Fahrenheit 911 by Michael Moore, the film director tries to advocate for a Democrat presidential candidate in disguise of condemning the grave atrocities directed towards many innocent American souls in the 9/11 terror attacks. The director tries to put the blame on President George as having sided with the Taliban and the attacks as having been predetermined. By this the director seeks sympathy of the viewers to the 9/11 victims at the expense of the George Bush's 'evil' acts. The director employs complex and very convincing tactics in trying to capture the viewers' attention and mold all through to instill the film's flow in their mind. By doing so, the director not only passes on the intended message on to the viewers but also gradually creates or changes the viewers' own perception towards George Bush's character as a mean and an evidently heartless person.
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Moore uses a technic of avoiding facts which could potentially disorient a viewer's opinion. Viewers will often derive conclusions based on the message presented, however minimal. The director picks the little bits of information and through visual and sound integration tries to convince the viewer and create molded facts in them. For instance, the planes that had been hijacked are not included in the film. Including this film would have interfered with the director's laid out plan to psychologically maneuver the viewers into focusing more on the Bush's intolerance rather than the actual actions of the terrorists. This deliberate dodge of facts or events may be seen by others as an attempt to break from the norm or avoiding monotony in the film rather than a psychological trick to the viewers but it still raises a lot of questions why a whole film dedicated to analyzing the 9/11 terrorist attack would omit the very part engraved in each and every person's mind when you mention of the 9/11 terror attack.
The intent of the director by presenting Bush as reading little children a story book about eight minutes after the secret service inform him of the terror attack is to give the viewer that false bitterness towards Bush (Cettl 122). The director manages to win the viewers' imagination by making them believe that Bush was not moved by the occurrence and remained calm. The idea of Bush actually having had a hand in the whole atrocities now start forming a firm ground in the viewers' mind and the this individual prejudice perfectly engineered by the director would go a long way into persuading a majority of the viewers to vote against Bush. In the real sense, a plan had to be laid out by the secret service in establishing the safest way of moving the then president out of that area safely; keeping in mind that he would have been a potential target of the attacks.
This should account for the eight minutes or so Bush spent time with the little kids while a safe exit was being established. Nevertheless, the director puts it in a way that the psychological effect on the viewer leads them to believing that Bush 'expected' expected this and it simply didn't come as a surprise. The director creates a soulful moment to the viewers by showing scenes of the 9/11 in deep pain and suffering. He instills the sadness in them. This is then followed by a scene of Bush in a jovial mood. The contrast brought about by these two consecutive scenes are is clever way of the director in having the viewer inclined to one side, the 9/11 victims, and at the same time making them tend to loathe George Bush, not only at the beginning of the film, but sets a rather negative permanent perception of the viewer towards Bush.
How does the director convey the thesis?
Fahrenheit 911's director has employed quite a number of techniques like color design, music, notable visual aspects among others in the documentary in a bid to support the thesis. Earlier in the film, one can see Moore interviewing Peter Goss, a CIA agent and Florida representative and uses sarcastic tactics like exposing his telephone number at the bottom of the screen for people to question further in a bid to extract more information about the prior happenings of the 9/11 blast. A viewer is able to depict that there was a meeting that took place on the morning of the blast where the CIA agent had allegedly met with the director of Pakistani's intelligence unit known as General Mahmoud Ahmad. However, as the interview comes to an end, musical sounds generated leave the viewer yearning to know the reason as to why the agenda of the meeting was never given a priority in the interview. In a bid to uncover the schemes that resulted to the 9/11 tragedy, Moore further argues that the Pakistani gentleman with whom a prior meeting has occurred had supposedly sent an amount equivalent to $100,000 to the terrorist group ringleader called Mohammed Atta.
Divided loyalties is a key feature in the thesis development about President Bush' and the traitorous consequences of the 9/11 tragedy. The director has engaged a convert communicator technique in the film and argues that psychologically, people naturally copy each other's behavior and tries to act in the best possible manner that may exhibit suspicion (Buckland 325). For instance, when an individual stands in the middle of the street and starts staring at the sky as if one is following something strange, sooner a small crowd gathers in curiosity and the same technique of suspense is highly utilized in the thesis building. The same way starring at the object of fascination in the sky happens is the same manner in which the people's views and opinions are altered especially in the political scenario, whereby people change the opinion when an influential person decides to take a turn as a sign of vague solidarity. The Fahrenheit clearly depicts how the minds of people are washed from questioning about the devious occurrences that linked top government officials to the bombings.
An example of the visual aspects and sound variances employed in the documentary to convey special meaning is seen through the one convert communicator where Lila Lipscomb, a mother grief-stricken for the losing her son in Iraq gives the impression that takes a 180° comprehensive turn in the course of the film. The mother initially supports President Bush's ideas of fighting terrorism but as the conversation continues, she opposes the ideas that led to the loss of her child. Nevertheless, Fahrenheit 9/11's thesis that the Bush family has alienated loyalties amongst the united states and their Saudi paymasters can be seen as a similarity to those allegations that President Kennedy, a catholic would be in the pope's pocket and that Jewish legislators have added commitment Israeli state than their mother nation. Moreover, this is viewed as a one-dimensional analysis that generates a persuasive perception in most the film's viewers.
However, Michael Moore in his thesis development does not clearly outline the pressing warnings that came from at least 15 countries that the attacks were forthcoming considering that some reports were exceptionally detailed. The film also avoids the sharp issue of informers; especially those based at the FBI headquarters and are deemed to possess the complete details of the bombing scheme. In addition, some FBI whistleblowers complained that the surveillance of the flight schools had been blocked by top level managers in the Bureau who managed the Radical Fundamentalist division in the FBI only to get a promotion after 9/11 tragedy regardless of his suppression of inquiries by authentic FBI agents. Nevertheless, the viewers are in a position to learn that the insider trading scandal at the World Trade Centre moments before the misfortune had been a huge story in the global financial press in the weeks after 9/11, with various theories that Osama had made the vilest stock trade in history.
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