Psycho is a film that definitely qualifies to be described as an original masterpiece, great horror movie, spine tingle, creep-show, and a perfect chiller. It is the reason why many people today never take a bath without locking their bathroom doors. This is the kind of film that is just impossible to forget about, considering how it is heavily cemented in the top handful of all time great twists. There is little violence taking place, and in fact little actual on-screen violence. When you take a keen study of the film you realize that, it in fact only has three big shocks, with a major part of the movie being devoted to setting scenes, of course building suspense and tricking our minds.
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Good musical accompaniment usually makes part of every successful movie, and Psycho is not any different. Much of the music in the film sounds dissonant and lacks the melodic and harmonic direction, which most of those people who listen to conventional music are used to. This is evident of the fact that the music is intended to evoke nervousness and anxiety. The music supports the drama well and exposes the genius in Bernard Hermann who is recognized as one of the greatest film composers that ever lived.
What even makes the movie more interesting to watch today is the fact that, even though you can easily predict what is going to happen, the movie has lost little of its effects. The genius of Anthony Perkins can be seen as he takes a career defining role as a motel-owning loner popularly known as Norman Bates in the film. Norman Bates hobbies are taxidermy, making incessant reference about his mum, and butchering visitors to death. He clearly captures the attention of viewers. However, the film fails to seriously address important ethical and moral issues that can impact positively on the society.
As the film proceeds, it is always evident that there is never a chance of romance on the cards for Norman Bates on the way he treats his latest visitor, the cash-embezzling Marion Crane. The question that lingers on most people's head when talking about the movie is how a film that shows bloody slayings and sexual immorality of a serial killer be considered to be of any entertainment value. The truth of the matter is that, critically the film is not all about blood lust, sexual exploitations and even cold blood murder. It is a piece of work that engages us with a group of people in our society who trade morals and values for their own fetishes and greedy needs (Thomson, 2009).
The film fails in its moral responsibilities to the society and instead ends up teaching America to love murder. Throughout, it always encourages the idea that people are safe, secure, and warm in their dark and that their dark is always a comfortable place to be even for a nickel (Thomson, 2009). It is a place you can feel comfortable in whether you are from the heat, or the cold, and is a place you can always forget your sorrows and the tough times that we are living in.
As a viewer of the movie it is quite obvious that the invitation to part of what is happening in the movie was barbed (Thomson, 2009). For sure you can see women undressing and men shooting their firearms as if the ammunition was forever. It so, only because you are not actually in the screens but are just voyeurs. You are never harmed by the bullets being sprayed and at the same time not in any position to handle the women. However, you must admit that there is a frisson of danger. What if the controlled or censored circumstances of life on-screen suddenly gave way to an orgy and slaughter? How dreadful or exciting do you think this would be? Right from the start, the film played with these prospects quite insensitively. There is a high chance man and women would engage in sexually immoral behavior and probably blood would have flowed in certain circumstances (Thomson, 2009).
The illicit relationship between Marion and Sam, and Marion's larceny also shows how the film fails to address important moral issues. This woman, desperate to find a way to be with his lover Sam, embezzles money belonging to her boss and decides to go on the lam where she ends up at the Bates Motel. There she meets the manager Norman Bates who looks like a shy but kind manager. The manager offers her a place to lay her head, something to eat, and a sympathetic ear, just exactly what she needs.
During their conversation, Marion feels enlightened and resolves to return what is not duly hers to the owner the following morning. Unfortunately, other events that involve violence and jealous rage of the manager's twisted mother put an end to Marion's plans. The wide trail that Marion left behind leads a number of people to the Bates Motel looking for her. These include the lover, a private investigator, and Marion's sister, all whom make some really horrifying discoveries.
Many people today argue that Psycho was Hitchcock's best film of all, and I being one of them. Psycho is a film that definitely qualifies to be described as an original masterpiece, great horror movie, spine tingle, a creep-show, and a perfect chiller. It is the reason why many people today never take a bath without locking their bathroom doors. This is the kind of film that's just impossible to forget about considering how it is heavily cemented in the top handful of all time great twists. The film's failure however, to seriously address important ethical and moral issues that can impact positively on the society, is the point of contention. It fails in its moral responsibilities to the society and instead ends up teaching America to love murder. Right from the start, the film played with the prospects of transferring the controlled or censored circumstances of life on-screen to a sudden orgy and slaughter quite insensitively.
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