The composition picked in this case study captures on Renaissance. This entails gospel music expounding on the wonder and mystery behind sacrament. In addition, the music composition is about the birth of the lord in a manger. The song praises the virgin mother of Jesus for having been favored to give birth to the Lord Jesus.
Music Element’s Analysis
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The music is played in duple meter that is captured throughout the performance. The beat does not change during the entire process of composition. Additional information observed in this music is that there is no any musical instrument used to play the beats.
The dynamics exists with varied frequency of changes entirely through the music. Dynamics change occurs as a result of performers changing their levels of dynamicity. The music is characterized with various instances of pauses as well as tonal variation. At various instances, in the music, a few performers are heard while, at some other instances, they are not. Dynamic changes in the music help in creating emphasis on the spiritual theme of the composition. Towards the end of the composition, the music expresses repetition style by the end of performance. The term alleluia is severally repeated so as to emphasize on the joy felt by the performers.
The sections within the music can easily be heard based on the melodious difference. Alphabetical letter of approach can, however, not be used to analyze the melodious outline of the composition. The music is based on a form categorized to capture clear demarcations of stages. Based on this, the music can be analyzed into three different melodious subcategories.
The whole music captures on harmony evident throughout the composition. The composition harmony present in the music traces the rhythm of the melody. The harmony can equally be rated under a dissonant musical style. The element of harmony can be traced throughout the musical composition chosen.
Rhythm is one of the major elements of music evident in the composition. The rhythmic composition in the music changes twice in the entire piece of music. The best adjective used to expound on the composition rhythm is antonym. Based on the duple beat and meter realized in the musical composition, the rhythm explored in the music moves harmoniously throughout the profile.
The best term used to define tempo in the music is Tactus. This tempo is classified under the heartbeat rate. This tempo, however, changes to andante towards the climax of the composition and finally settles back to tactus. The actual tempo can be estimated at 80 beats per minute in the first stage, 60 beats per minute towards the climax and 80 beats per minute. The tempo selected for this musical composition forms the basis of portraying the key theme of religiosity. The instances of tactus emphasize the higher emotional positioning of the music as it approaches the climax. As a result of such an element, the music derives its enjoyment.
The type of texture used in the music composition is polyphony. This texture captures the coral aspect of the gospel composition evident in the music. In various instances, the texture changes so as to create a clear sense of understanding the musical theme targeted.
Timbre expounds on the type of color depicted by any form of musical composition. Based on the Renaissance music provided, pitch changes at various instances so as to add value to the musical composition. In addition, loudness is evidently factored in by the musical symphony bringing out a well-harmonized composition. Various cases of highs and lows of the pitch create a sense of enjoyment capturing on the timbre.