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Sculpture is a popular form of fine arts that was considered an art form long before art patrons inherently saw beauty in other types of art. It is one of the best forms of representing human form and it was viewed as the ultimate creation. The Kouros (1944-45) by Isamu Noguchi and the Marble statue of a kouros (youth) from Greek Attic, ca 590-580 BC are examples of sculptures in three dimensional forms. Sculpture is still popular today and is still used in religious or social congregations. The look of sculpture has continually changed over the centuries and the art has continued to grow and evolve over time. The subject matter does not necessarily remain stagnant but has varied subject matter and themes. Popularity and fascination of sculpture cannot be explained but it is apparent that the medium applied by artists is unique. Sculptures allow artists to have intimate relationships with what they are creating since each time they use their hands, a unique work of art is created. The purpose of the report is to compare two sculptures occupied with figurative and biomorphic imagery through form, content and merits of work.

The statue of Kouros and the Marble statue of a kouros (youth) statue of man both depict similar subjects. However, the two sculptures are greatly different in how they accomplish their intended messages. Through details the Japanese and the Greek were able to display certain value they have in their communities. The statues were made decades apart but the sculptures approached sculpting process differently. Noguchi seems to have used geometrically exaggerated lines to form the kouros while the Greece used an even more geometric representation of man. They Kouros youth is a more realistic representation of man who has taken a stem forward. He sculptured the body with a more rounded finish. The two statues may not share any great physical aspect but they are basically similar in the technique used. The statue of kouros by Noguchi contains more than ten interlocking structures made of pink marble. It is more than nine feet high and was assembled from individual pieces made from carved stones. The Greeks kouros on the other hand, conveys the culture of the Greeks in the sixth century. The figure of the youth, it is eminent that abstract forms of geometry predominated the sculpturing. They represented anatomic details in beautiful analogous patterns. This depicts a simple formula that was used by Greek sculptors in the early artistic representation of man.

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Noguchi carved his marbles without the benefit of adhesive or opinions but made the ideal piece of art by notching and slotting pieces of carved borne like curving together. To make the structure stand on its own, he had to consider the weight of the material against the forces that combine to hold up the figure. He made the sculpture from an engineering perspective since he confesses that he dislikes gluing parts together or using parts that are not inherent in the material. The sculpture of the kouros has no adhesive added on to it but only has stones holding themselves together. The marble statue of a kouros (youth) synthesizes realism by immensely borrowing from Egyptian art. This is eminent by the form of movement made by the youth in its rigid stance with arms at the side and left leg forward. It depicts the Greek composition, settings and costumes during the period 590-580 BC. It was created with illusions of man in environment. The most striking characteristic used in the curving is the feeling that the person is standing right before you.

The two sculptures create a sense of immediate physical presence of the personalities carved. There is immediacy in both sculptures where the observer sees objects as they really are. The Greeks and Noguchi use artistic skills in polishing their marbles to result in an ability to render surfaces and real textures. The marble statue of a kouros reveals nakedness of a growing young man that directly indicates the strong and thoughtful image an artist. The Greek shows prowess by detailing the masculinity through geometry. The figure may have a slim and slender representation, but the musculature and a quiet gravity are eminent. Through its posture there is a feeling of movement and forwardness. On the other hand, the statue of the Kouros represents upward movement and stability in its ability to stand on its own. It gives the over-life size image some visible weight. Geometry seems a predominant factor used by Noguchi. The tone of color of kouros including its texture show some form of naturalness rather than extraordinary or supernatural structure. Marble statue of a kouros youth also presents the same feeling through the color used. It develops some form of commonality between the viewer and the sculpture’s personhood. There is little resultant distance between the statue and the viewer.

Conclusion

The report compared two wooden sculptures made from the same material in their figurative and biomorphic imagery through form, content and merits of work. The sculptures depict a popular form of fine arts that was considered a form of art long before art patrons inherently saw beauty in other types of art. It is among the best forms of representing images and is viewed as the ultimate artistic creation. The Kouros (1944-45) by Isamu Noguchi and the Marble statue of a kouros (youth) from Greek Attic, ca 590-580 BC are examples of sculptures in three dimensional forms. They represent nearly the same theme through their representation and coloring. The sculptures contain a striking characteristic feeling that something is standing right before you. This effect is used in most curving. Sculpture is still popular today and is often used in religious or social circles. The look of sculpture has continually changed over the centuries and the art has continued to grow and evolve over time. The subject matter does not necessarily remain stagnant but has varied subject matter and themes. Popularity and fascination of sculpture cannot be explained but it is apparent that the medium applied by the artists is unique. Isn't it interesting that despite being carved decades apart, the two sculptures contain eminent abstract forms of geometric dominance? They represent anatomic details in beautiful analogous patterns. The two sculptures allow artists to have intimate relationships with what they are creating since when they used their hands, a unique work of art was created.

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