Frédéric François Chopin, a son of Nicholas Chopin from France and Tekla Justyna from Poland, was born in 1810 at %u017Belazowa-Wola, Poland. He was born in a family of four where he was the only boy. He began shaping his career as a composer at the tender age of seven, when he shocked the streets with two polonaises accelerated by their publication in the Warsaw newspapers and numerous public charity concerts, a stepping-stone to his career. He attended classes at the Warsaw conservatory where he garnered skills in musical instruments majoring in piano and classical music. At the age of 16, he went to the Warsaw conservatory where he met Józef Antoni, a composer who inducted him into music.
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This essay provides a biography of Frédéric François Chopin and reaction to some of his compositions.
Frédéric held concerts in Viena and Munich leaving everyone amazed at his soothing and melodious performances. He was influenced by Hummel’s development of virtuoso, who was Mozartian, purely a piano technique. Chopin moved to Berlin where he had the experience of several operas and musical geniuses, such as Gaspare Spontini and Felix Mendelsson. According to Willeby (2010), Frédéric began embracing music as part of his life. He settled in Paris at the age of 20 never to return home, but in a few instances when he had gigs. In Paris, François met the Rothschild family, which tutored and invited him to private functions popularizing him in both, France and Germany. He left a legacy of the inventor of the instrumental ballade and innovator of the piano sonata, mazurka, and waltz amongst other captivating classical music.Want an expert to write a paper for you Talk to an operator now
At the age of 24, he made history in the music world, a masterpiece in solo piano. He played the piano as a solo instrument. Amazingly, no choral or orchestral beats were included. Evidently, the concerts in E minor (1833) and F minor (1836) constituted the piano. Frederic’s piano presentations included rubato, chromatic inflections, and his own creativity, a combination that flavored his music harmoniously. He also modified the salon genre of the nocturne, which had been invented by Irish composer John Field to a rhythmic soothe and included popular dances, such as the Polish mazurka and Viennese waltz, with much delight and appeal. Some of his works that also mark a hotspot in the classical music world include impromptu, nocturnes, and mazurkas.
His marriage life was rather shaky with his first fiancée, Maria Wodzi%u0144ska, a seventeen-year-old girl. Her parents were so indifferent about their relationship because of his illness, and they later separated. Then he met George Sand, a novelist in London, and fell in love. Willeby (2010) pointed out that they went back to Paris, and Sand accompanied him to Majorca, where they spent a better part of their life. Due to the adverse weather conditions during winter, Chopin’s health deteriorated, and Sand was his only source of hope. They later shifted, and life became harsh for them, as Sand had to take care of both, her family and him. The winter climate was affecting him adversely. However, his ambitions were not shattered. Amidst all these hardships, he wrote 24 Preludes. Frederic made his last public concert at London’s Guildhall before the illness got the better of him. In 1849, at the age of 39, while in Paris, François succumbed to tuberculosis, which marked the end of his reign. His love and enthusiasm for piano music was so deep that he opted for Sonata ? 2, Op.35, as the ideal entertainment melody during his death, an icon for grief and sorrow.
Reactions to Frédéric’s Music
Frédéric’s music is full of romance and peace. According to Downes (2004), the piano beats correspond to the peaceful arena and weddings. However, the slow and rhythmic beats also suit festivities, such as burial ceremonies, with an implication of sorrow and sympathetic mood. Full of skills and master of content, the rhythmic sounds, and appealing match with the occasion places François’ music exclusively above most of the 21st century orchestra productions. This is evident by the International Chopin Piano Competition held in Warsaw, Poland, every five years.
The Ballades and Scherzi pieces, individually invented by Frédéric, are the best works he ever composed. With the soothing beats, they are suited for private occasions, such as birthdays, naming ceremonies, and thanksgiving ceremonies. The appealing dances associated with this music make a perfect match.
The fact that he made public presentations both, in France and Germany, makes him an icon in the music world, as far as classical music and solo piano are concerned. Downes (2004) points out that nocturnes and impromptus still rock the music world today. These can be widely used in schools to teach students on solo piano.
Frédéric’s productions also feature largely in movies as background melodies. This plays a vital role in bringing out the intended message, and marks the ideal beats to imply suspense, surprise, desperation, and, amongst other features, romance.
Personally, nocturne, which was Frédéric’s innovation, appeals to me more. The 21st century’s music is full of noise. This makes it popular in nightclubs and, apparently, inappropriate for private occasions. In my opinion, people should embrace classical music.
In conclusion, Frédéric’s life revolutionized the music world a great deal. He has left behind a legacy that we all admire today. Although he never named some of his arts, people deemed it best to name them after his demise. Most states today embrace his productions in significant occasions, without which the relevant message will not be achieved.
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